Metafiction, Kurt Vonnegut and The Turner Prize.

I previously posted a play here (RAW A RESPONSE PLAY) that uses Metafiction a lot in the script. This was a first stab at something like this and I’ve only just realised how much I was being influenced by Kurt Vonnegut and his book Breakfast of Champions. I genuinely thought at the time I was doing it because of my experience as a comic…

Here’s what Wikipedia says about Metafiction.

 “Breakfast of Champions makes heavy use of Metafiction, with Vonnegut appearing as the narrator/creator of the work, explaining why and how he makes this world as it is, changing things when and as he sees fit, and even being surprised by events.”

In no way am I claiming I’m in the same league as Kurt Vonnegut. I’m posting this because I’m surprised how much I’d appropriated his style unconsciously. I haven’t read much of his work and haven’t read Breakfast of Champions in about 15 years, although I feel another reading may be on the cards soon.

Suicide, free will, mental illness, and social and economic cruelty are the main themes of Breakfast of Champions so you’d be surprised to find it’s also one of the funniest books I’ve ever read.

In the book is a character called Rabo Karabekian who is an artist who has sold an abstract work called The Temptation of Saint Anthony. Here’s a fictional image of a fictional painting. temptation-of-st-anthony

Although he’s not a main character my favourite part of the book comes when Rabo has to justify the money spent on his work to a group of angry and cynical towns folk. He says…

“I now give you my word of honor,” he went on, “that the picture your city owns shows everything about life which truly matters, with nothing left out. It is a picture of the awareness of every animal. It is the immaterial core of every animal – the ‘I am’ to which all messages are sent. It is all that is alive in any of us – in a mouse, in a deer, in a cocktail waitress. It is unwavering and pure, no matter what preposterous adventure may befall us. A sacred picture of Saint Anthony alone is one vertical, unwavering band of light. If a cockroach were near him, or a cocktail waitress, the picture would show two such bands of light. Our awareness is all that is alive and maybe sacred in any of us. Everything else about us is dead machinery.”

There we go. Now you’re looking at it from a new perspective. Which is what most art is about.

Now here’s one of the new entries for the Turner prize.

bum

Looking at this you may come to the conclusion that the Turner Prize has reached its natural conclusion and disappeared up its own. But the point is this bit of art is by the artist, Anthea Hamilton, who has enlarged it from a design by Gaetano Pesce for a New York apartment block, to which it would have been a doorway (a back entrance, so to speak) for social housing tenants.

And now you have another perspective. No other great point to make here. And so it goes…

Author: johnscottcomedy

John has been involved in comedy for 17 years. Here's some nice things people have said..... GLASGOW HERALD. Given that we’ve had indyref, a general election and Jeremy Corbyn since the last Edinburgh Fringe, you might expect there to be more self-confessed “political” comedians around this year. Oh, a lot of acts will dip a toe in “UKIP are nasty” shallows, but it takes someone like John Scott to dive in head-first and punch every hideous sea creature he meets right between the eyes. Before you know it, he’s chewed up and spat out austerity, Margaret Thatcher, the paedophile scandal, benefit fraud, racism, class, homophobia, Mhairi Black and a sneezing attack on a bus (ok, the last one isn’t strictly political, but it is a great anecdote, so worth a mention). He reserves a special venom for Tony Blair and the invasion of Iraq but somehow, filtered through his comedy-club delivery, it doesn’t feel like a soapbox diatribe or a trendy-leftie ticking off: this is political comedy built from the grassroots up, an informed opinion column with a spiky sense of humour. Alan Morrison THE LIST. “Confidently told hilarious tales of class-based woe, nothing missed the mark in a superb set where every story was expertly crafted before being subverted with a killer punch line. After practicing comedy for five arduous years, expect to see his name somewhere big very soon.” THE SUN. “John Scott is an excellent comic and this is without doubt the first step on the road to a long and successful career in comedy." EDINBURGH EVENING NEWS. “ Always plays a blinder. Never hits a dry patch. People were literally in tears of laughter.” THE OBSERVER. “Among the top 5 comics emerging from Scotland.” THE SKINNY “A genuinely gifted comedian.” ADELAIDE ROCKS. “Superb! The stand out stand up of the evening.” 100% BIKER “Possibly the funniest Scotsman alive.”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s